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<oembed><version>1.0</version><provider_name>Ugo Mulas</provider_name><provider_url>https://www.ugomulas.org/en/</provider_url><author_name>admin</author_name><author_url>https://www.ugomulas.org/en/author/info_1ok1hry5/</author_url><title>Verifiche - Ugo Mulas</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="StJh61OMUM"&gt;&lt;a href="https://www.ugomulas.org/en/gallery/verifiche/"&gt;Verifiche&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.ugomulas.org/en/gallery/verifiche/embed/#?secret=StJh61OMUM" width="600" height="338" title="&#x201C;Verifiche&#x201D; &#x2014; Ugo Mulas" data-secret="StJh61OMUM" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><description>Le verifiche 1968-1972 In 1970 I began taking photographs the subject of which was photography itself, an attempt at an analysis of the photographic process in order to identify its underlying elements and their intrinsic value. For instance, what is a sensitive surface? What does it mean to use a telephoto or a wide-angle lens? [&hellip;]</description></oembed>
