{"id":18012,"date":"2023-03-21T16:30:19","date_gmt":"2023-03-21T16:30:19","guid":{"rendered":"https:\/\/www.ugomulas.org\/critical-texts\/"},"modified":"2023-04-26T08:55:16","modified_gmt":"2023-04-26T08:55:16","slug":"critical-texts","status":"publish","type":"page","link":"https:\/\/www.ugomulas.org\/en\/critical-texts\/","title":{"rendered":"Critical texts"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"18012\" class=\"elementor elementor-18012 elementor-4823\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-00d4305 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"00d4305\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4194214\" data-id=\"4194214\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8846979 elementor-widget elementor-widget-spacer\" data-id=\"8846979\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6595c25 elementor-grid-3 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-widget elementor-widget-elementor-blog-posts\" data-id=\"6595c25\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;columns&quot;:&quot;3&quot;,&quot;columns_tablet&quot;:&quot;2&quot;,&quot;columns_mobile&quot;:&quot;1&quot;}\" data-widget_type=\"elementor-blog-posts.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"wpcap-grid\">\n\t\t\t\t\t\t<div class=\"wpcap-grid-container elementor-grid wpcap-grid-desktop-3 wpcap-grid-tablet-2 wpcap-grid-mobile-1 grid-meta-bottom\">\n\n\t\t\t\t\n        <article id=\"post-7376\" class=\"wpcap-post post-7376 post type-post status-publish format-standard hentry category-tesi-critici category-testi\">\n         \n            <div class=\"post-grid-inner\">\n            \t\n            \t\n                <div class=\"post-grid-text-wrap\">\n               \t\t\t\t<h3 class=\"title\">\n\t\t\t<a href=\"https:\/\/www.ugomulas.org\/en\/new-york-the-new-art-scene-alan-solomon-introduction-eng\/\">New York: The New Art Scene Alan Solomon INTRODUCTION ENG<\/a>\n\t\t<\/h3>\n\t\t\t                \t\t<div class=\"post-grid-excerpt\">\n\t\t\t<p>NEW YORK: THE NEW ART SCENE 1967 ALAN SOLOMON &#8211;\u00a0 INTRODUCTION This book is a photographic record of a long moment in the history of&hellip;<\/p>\n\t\t<\/div>\n\t\t\t                \t\t<a class=\"read-more-btn\" href=\"https:\/\/www.ugomulas.org\/en\/new-york-the-new-art-scene-alan-solomon-introduction-eng\/\">Leggi di pi\u00f9 \u00bb<\/a>\n\t\t                <\/div>\n\n                \n            <\/div><!-- .blog-inner -->\n           \n        <\/article>\n\n        \n        <article id=\"post-7370\" class=\"wpcap-post post-7370 post type-post status-publish format-standard hentry category-tesi-critici category-testi\">\n         \n            <div class=\"post-grid-inner\">\n            \t\n            \t\n                <div class=\"post-grid-text-wrap\">\n               \t\t\t\t<h3 class=\"title\">\n\t\t\t<a href=\"https:\/\/www.ugomulas.org\/en\/ugo-mulas-the-new-york-portraits-by-marcia-e-vetrocq\/\">Ugo Mulas: The New York Portraits. By Marcia E. Vetrocq ENG<\/a>\n\t\t<\/h3>\n\t\t\t                \t\t<div class=\"post-grid-excerpt\">\n\t\t\t<p>MARCIA E. VETROCQ UGO MULAS -THE NEW YORK PORTRAITS During the 1960s, Italian photographer Ugo Mulas shot the reigning lions and rising stars of New&hellip;<\/p>\n\t\t<\/div>\n\t\t\t                \t\t<a class=\"read-more-btn\" href=\"https:\/\/www.ugomulas.org\/en\/ugo-mulas-the-new-york-portraits-by-marcia-e-vetrocq\/\">Leggi di pi\u00f9 \u00bb<\/a>\n\t\t                <\/div>\n\n                \n            <\/div><!-- .blog-inner -->\n           \n        <\/article>\n\n        \n        <article id=\"post-18111\" class=\"wpcap-post post-18111 post type-post status-publish format-standard hentry category-critical-texts-en category-text\">\n         \n            <div class=\"post-grid-inner\">\n            \t\n            \t\n                <div class=\"post-grid-text-wrap\">\n               \t\t\t\t<h3 class=\"title\">\n\t\t\t<a href=\"https:\/\/www.ugomulas.org\/en\/elio-grazioli-dentro-la-fotografia\/\">Elio Grazioli &#8220;Dentro la Fotografia&#8221; ITA<\/a>\n\t\t<\/h3>\n\t\t\t                \t\t<div class=\"post-grid-excerpt\">\n\t\t\t<p>ELIO GRAZIOLIDENTRO LA FOTOGRAFIA Rovesciamo la prospettiva critica pi\u00f9 diffusa sull\u2019opera di Ugo Mulas e mettiamo le sue\u00a0Verifiche\u00a0non alla fine di un percorso e di&hellip;<\/p>\n\t\t<\/div>\n\t\t\t                \t\t<a class=\"read-more-btn\" href=\"https:\/\/www.ugomulas.org\/en\/elio-grazioli-dentro-la-fotografia\/\">Leggi di pi\u00f9 \u00bb<\/a>\n\t\t                <\/div>\n\n                \n            <\/div><!-- .blog-inner -->\n           \n        <\/article>\n\n        \n        <article id=\"post-18112\" class=\"wpcap-post post-18112 post type-post status-publish format-standard hentry category-critical-texts-en category-text\">\n         \n            <div class=\"post-grid-inner\">\n            \t\n            \t\n                <div class=\"post-grid-text-wrap\">\n               \t\t\t\t<h3 class=\"title\">\n\t\t\t<a href=\"https:\/\/www.ugomulas.org\/en\/arturo-carlo-quintavalle-ugo-mulas-e-la-poetica-dada-da-ugo-mulas-immmagini-e-testi-ita\/\">Arturo Carlo Quintavalle &#8220;Ugo Mulas e la Poetica Dada. Da Ugo Mulas, Immmagini e Testi ITA<\/a>\n\t\t<\/h3>\n\t\t\t                \t\t<div class=\"post-grid-excerpt\">\n\t\t\t<p>ARTURO CARLO QUINTAVALLE UGO MULAS E LA POETICA DADA \u00a0 Scrive Ugo Mulas di aver vissuto le inaugurazioni delle Biennali, l\u2019ansia dell\u2019attribuzione dei primi premi,&hellip;<\/p>\n\t\t<\/div>\n\t\t\t                \t\t<a class=\"read-more-btn\" href=\"https:\/\/www.ugomulas.org\/en\/arturo-carlo-quintavalle-ugo-mulas-e-la-poetica-dada-da-ugo-mulas-immmagini-e-testi-ita\/\">Leggi di pi\u00f9 \u00bb<\/a>\n\t\t                <\/div>\n\n                \n            <\/div><!-- .blog-inner -->\n           \n        <\/article>\n\n        \n        <article id=\"post-18113\" class=\"wpcap-post post-18113 post type-post status-publish format-standard hentry category-critical-texts-en category-text\">\n         \n            <div class=\"post-grid-inner\">\n            \t\n            \t\n                <div class=\"post-grid-text-wrap\">\n               \t\t\t\t<h3 class=\"title\">\n\t\t\t<a href=\"https:\/\/www.ugomulas.org\/en\/umberto-eco-introduzione-fotografare-larte\/\">Umberto Eco introduzione &#8220;Fotografare l&#8217;arte&#8221;<\/a>\n\t\t<\/h3>\n\t\t\t                \t\t<div class=\"post-grid-excerpt\">\n\t\t\t<p>UMBERTO ECO INTRODUZIONE A &#8220;FOTOGRAFARE L&#8217;ARTE&#8221;\u200b Un bel libro deve sempre poter essere usato in pi\u00f9 maniere (al limite, si onora un libro anche quando&hellip;<\/p>\n\t\t<\/div>\n\t\t\t                \t\t<a class=\"read-more-btn\" href=\"https:\/\/www.ugomulas.org\/en\/umberto-eco-introduzione-fotografare-larte\/\">Leggi di pi\u00f9 \u00bb<\/a>\n\t\t                <\/div>\n\n                \n            <\/div><!-- .blog-inner -->\n           \n        <\/article>\n\n        \n        <article id=\"post-18114\" class=\"wpcap-post post-18114 post type-post status-publish format-standard hentry category-critical-texts-en category-text\">\n         \n            <div class=\"post-grid-inner\">\n            \t\n            \t\n                <div class=\"post-grid-text-wrap\">\n               \t\t\t\t<h3 class=\"title\">\n\t\t\t<a href=\"https:\/\/www.ugomulas.org\/en\/germano-celant-spartiti-fotografici\/\">Germano Celant Spartiti Fotografici<\/a>\n\t\t<\/h3>\n\t\t\t                \t\t<div class=\"post-grid-excerpt\">\n\t\t\t<p>GERMANO CELANT &#8211; SPARTITI FOTOGRAFICI Ogni fotografia \u00e8, in teoria, un\u2019esperienza a s\u00e9 stante, ritagliata dal flusso delle immagini che la precedono e la seguono.&hellip;<\/p>\n\t\t<\/div>\n\t\t\t                \t\t<a class=\"read-more-btn\" href=\"https:\/\/www.ugomulas.org\/en\/germano-celant-spartiti-fotografici\/\">Leggi di pi\u00f9 \u00bb<\/a>\n\t\t                <\/div>\n\n                \n            <\/div><!-- .blog-inner -->\n           \n        <\/article>\n\n        \n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Elio Grazioli &#8220;Dentro la Fotografia&#8221; ITA ELIO GRAZIOLIDENTRO LA FOTOGRAFIA Rovesciamo la prospettiva critica pi\u00f9 diffusa sull\u2019opera di Ugo Mulas e mettiamo le sue\u00a0Verifiche\u00a0non alla fine di un percorso e di&hellip; Leggi di pi\u00f9 \u00bb Arturo Carlo Quintavalle &#8220;Ugo Mulas e la Poetica Dada. Da Ugo Mulas, Immmagini e Testi ITA ARTURO CARLO QUINTAVALLE UGO [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18012","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Critical texts - Ugo Mulas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ugomulas.org\/en\/critical-texts\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critical texts - Ugo Mulas\" \/>\n<meta property=\"og:description\" content=\"Elio Grazioli &#8220;Dentro la Fotografia&#8221; ITA ELIO GRAZIOLIDENTRO LA FOTOGRAFIA Rovesciamo la prospettiva critica pi\u00f9 diffusa sull\u2019opera di Ugo Mulas e mettiamo le sue\u00a0Verifiche\u00a0non alla fine di un percorso e di&hellip; Leggi di pi\u00f9 \u00bb Arturo Carlo Quintavalle &#8220;Ugo Mulas e la Poetica Dada. 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